Walter Hopps, ed., Robert Rauschenberg (Washington, D.C.: National Collection of Fine Arts, Smithsonian Institution, 1976), 75 (ill.). Kristine Stiles, “Rauschenberg, Looking Long and Thinking Hard,” in Rauschenberg: Collecting & Connecting, ed. Digitally enhanced infrared scan of Robert Rauschenberg’s Erased de Kooning Drawing, 1953, showing traces of the original drawing by Willem de Kooning. Dean Jensen, “Rauschenberg Retrospective Stupendous! Accessed February 9, 2015. https://shuffle.rauschenbergfoundation.org/exhibitions/nasher/essays/Hart_i-am-if-i-say-so. Katherine Hardiman, “Monochromes & Mandalas,” in Rauschenberg: Collecting & Connecting, ed. Rauschenberg met de Kooning and befriended him as a student at Black Mountain College in North Carolina. Kristine Stiles (Durham, NC: Nasher Museum of Art, 2014), 16; online edition (ill.). “Major Show of Rauschenberg’s Art Opens in SF,” Palo Alto Times, June 24, 1977. Multiple figures fill the sheet, oriented in two directions. Jeanne Siegel, Artwords: Discourse on the 60s and 70s (New York: Da Capo Press, 1992), 3, 18. John Elderfield, de Kooning: A Retrospective (New York: Museum of Modern Art, 2011), 244, 278, 299n74. Erased De Kooning Drawing: | ||Erased de Kooning Drawing|| is an early work of US artist |Robert Rauschenberg|: a... World Heritage Encyclopedia, the aggregation of the largest online encyclopedias available, and the most definitive collection ever assembled. 2 (Spring 1977): 1. Anna Brzyski, ed., Partisan Canons (Durham, NC: Duke University Press, 2007), 309, 310 (ill.), 311. The lure of the American Southwest: E. Martin Hennings, Why is that important? Roni Feinstein, Circa 1958: Breaking Ground in American Art (Chapel Hill: Ackland Art Museum, University of North Carolina at Chapel Hill, 2008), 4–5. Erased de Kooning Drawing eludes easy answers, its mysterious beginnings leaving it open to a range of present and future interpretations. Adrian Searle, “Stuff Happens,” Guardian (London), November 27, 2006. Gregory Battcock, Minimal Art: A Critical Anthology (New York: E. P. Dutton, 1968), 298, 299. 3 (July 1970): 335. Traveled to: Museum of Modern Art, New York, March 25–May 17, 1977; San Francisco Museum of Modern Art, June 24–August 21, 1977; Albright-Knox Art Gallery, Buffalo, September 25–October 30, 1977; Art Institute of Chicago, December 3, 1977–January 15, 1978. The Menil Collection: A Selection from the Paleolithic to the Modern Era, 1st ed. Pontus Hultén, Territorium Artis (Bonn, Germany: Verlag Gerd Hatje, 1992), 282, 283 (ill.), 383. Westkunst: Zeitgenössische Kunst seit 1939, Rheinhallen KölnMesse (organized by Museen der Stadt Köln), Cologne, Germany, May 30–August 16, 1981. Elisabeth Lebovici, “Rauschenberg à grande échelle,” Libération, September 30, 1997. Alan Solomon, New York: The New Art Scene (New York: Holt, Rinehart and Winston, 1967), 42. Jan Marontate, “Rethinking Permanence and Change in Contemporary Cultural Preservation Strategies,” Journal of Arts Management, Law, and Society 34, no. Bryan Robertson, Henry Geldzahler, and John Cage, Robert Rauschenberg: Paintings, Drawings and Combines, 1949–1964 (London: Whitechapel Gallery, 1964), 10. Jennifer Mundy, Gallery of Lost Art, Tate online exhibition, July 12, 2012. Accessed June 23, 2013. https://6thfloor.blogs.nytimes.com/2012/02/28/erasing-americans/. 1 (September 1997): 96, 98. Helen L. Kohen, “Matisse Leads Packed Museum Season,” Miami Herald (Florida), November 8, 1992. Jonathan D. Katz, “The Outness of Rauschenberg’s Art,” Gay & Lesbian Review 15 (September–October 2008): 10. How long did it take Rauschenberg to erase the whole drawing? ‘Twenty Questions to Bob Rauschenberg,” post, Museum of Modern Art, New York, September 9, 2014. Rosalie/Red Cheek/Temporary Letter/Stock (Cardboard), © 2021 San Francisco Museum of Modern Art, remaining traces of the original de Kooning drawing, https://www.texasmonthly.com/story/rauschenberg%E2%80%99s-repartee, https://digitalcommons.unl.edu/sheldonpubs/75, https://www.artnet.com/Magazine/reviews/finch/finch12-8-00.asp#6, https://www.artnet.com/magazineus/features/saltz/saltz1-11-06.asp#, https://www.spiegel.de/kultur/gesellschaft/zum-tode-robert-rauschenbergs-alles-ist-kunst-kunst-ist-alles-a-553127-druck.html, https://bancroft.berkeley.edu/ROHO/projects/sfmoma/interviews.html, https://blog.sfmoma.org/2011/02/collection-rotation26/, https://greg.org/archive/2011/05/30/frame_is_part_of_drawing.html, https://6thfloor.blogs.nytimes.com/2012/02/28/erasing-americans/, https://www.npr.org/blogs/krulwich/2012/03/12/148456099/two-ways-to-think-about-nothing, https://jezebel.com/5914333/burning-a-birkin-is-not-art, https://shuffle.rauschenbergfoundation.org/exhibitions/nasher/essays/Hardiman_monochromes-and-mandalas/, https://shuffle.rauschenbergfoundation.org/exhibitions/nasher/essays/Hart_i-am-if-i-say-so, https://shuffle.rauschenbergfoundation.org/exhibitions/nasher/essays/Stiles_introduction, https://post.at.moma.org/content_items/478-lost-in-translation-twenty-questions-to-bob-rauschenberg, https://interventionsjournal.net/2015/01/23/a-radical-disregard-for-the-preservation-of-art-robert-rauschenbergs-elemental-paintings/, https://www.bbc.com/news/entertainment-arts-33533960. 2009/2010 ): 46 Michael Compton, Robert Rauschenberg, ” San Francisco Museum of Modern Art ”... 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